For photographers
Cut out a set, not one frame.
Portraits, weddings, product work. The same edge across every frame you deliver.
One set, one look
The sheet is the deliverable
A cutout that is right once is a demo. The question is whether frame 06 matches frame 01.
Same subject · same lighting · same cut
By genre
What each job asks of a cutout
The tool is the same in every row. What changes is the part of the edge you should check before delivering.
- Portraits
- Headshots onto a plain studio colour, or a plate you shot separately.
- Check: hairline
- Weddings
- Guests lifted out of a crowded room for albums, thank-you cards and prints.
- Check: veil and lace
- Product
- A clean object on white or on transparency, ready for a listing or a catalogue.
- Check: shadow
- Events
- Volume work where the background is a distraction rather than a subject.
- Check: motion blur
- Composites
- The subject on its own layer, so the plate underneath is yours to build.
- Check: edge light
In practice
It is an export, a cut, and a re-import
There is no plugin for your editor, and pretending otherwise would waste your afternoon. What there is: a fast cut that returns a layered-ready PNG with real alpha.
See bulk processing- 01 Export full-size JPGs Straight out of your editor, colour-corrected the way you would deliver them.
- 02 Cut the set One at a time on the free plan, or the whole folder at once on Pro.
- 03 Bring the PNGs back Alpha is preserved, so each subject lands on its own layer over your plate.
- 04 Size them for delivery Album, print or web, in the resizer. Open it
Run it on your hardest frame
Backlit hair, a veil, a dark suit on a dark wall. That is the frame worth judging it on.